Archive for November, 2015

Cinema 7

November 25, 2015

So, here are a couple of pics of the Cinema 7 sign that I made for my good friends Eric and Rachel Smith. The body is made out of 3/4″ marine grade plywood. It is painted in Tuscan Red enamel paint. The gold is 24k paint outlined with old-school black enamel sign paint.

Cinema in procThe perimeter was fitted with Aluminum roll stock. The number insert was milled and fitted with clear plexi. I made a somewhat complicated system to bore the holes to accept year-round holiday lights from Target. After a 30 degree chamfer on top, I cold forged brass grommets to match the underside of the bulbs and seat in the holes.

Cinema1After repairing and repainting the steel letters, I used a vintage motor and roller system out of an old beer light to make the rays vibrate behind the number 7. In it’s final rendition, the number 7 was translucent white on a black background. All wiring was UL listed and minimum connections made to insure safety and proper operation. We had previously installed a French Cleat on the concrete wall to accept the sign in a simple manner. This was a fun and enjoyable project and has given me ideas for the idea of the lighted marquis. I am now thinking of what things are so important in our world that we should put it up on a marquis to draw blatant attention to it. I am sure that you could think of some issues that deserve “silver screen promotion.”

Making Stuff…again

November 24, 2015

It is far too easy to get focused on “things” in life and forget to stand back and document what has been going on. I promise (maybe in a pre-resolution) that I will start updating regularly now that my new website is running. First, a quick catch up on what has been going on:

After moving around the U.S. for a bit, I used my available time for some “friend” work that needed catching up. At the top of the list was my friend Eric’s basement of his new house. The canvas was a 1300 sq.ft. basement with 10′ ceilings that he wanted to look like an East Coast “speak easy.” I began with faux painting 52oo bricks (on concrete cast walls) to look like 100 year old wood fired bricks. While I designed a late colonial bar, back bar, and paneling from quarter sawn oak, he used acid to finish the concrete floors in a copper-ish tone. Since then, it has been a work in progress. I hand painted a Victorian era advertisement for his pub (Station #7) on one of the brick end walls. We had discussed a theatre add for the opposing wall where his projector was set up. Meanwhile my friend, Eric, married a designer. With her collaboration, we narrowed in the focus with a very industrial spin on Colonial design. For the entertainment end of the space, we decided on a vintage cinema sign complete with incandescent glove lights with motorized optics. As the wiring is finally getting finished, we are discussing finishing the back bar with a salt water aquarium and a copper bar top. The space has been finished with vintage signs and Edison bulbs. The bar seats 15 patrons, and has full amenities including a popcorn popper.

While doing the Station 7 project, I had a piece in the Ossuary show by Laurie Beth Clark at the University of Tennessee in Knoxville, as well as the Herron Gallery in Indianapolis. It was a silver necklace displaying five silver bullets that had the firing primers replaced with black onyx. It was part of my ongoing research of populations using war detritus as objects of function and beauty. I would suggest reading The Sex Lives of Cannibals by Maartin Troost. Not just for the small references of Pacific Islands using left over combat materials as playgrounds for children, but because it is disturbingly funny.


On a threat from my Wife, (girlfriend at the time) I decided to enter the Red Bull sculpture contest in 2014. I had been working on a piece and after committing, I did a run for 60 hours straight to finish the piece. With no time left to ship, I caught three hours sleep and took the train to Chicago for the initial judging. When asked about return shipping, I told them that they could discard the piece after the judging. Two days later, I received an email telling me that it was accepted to the final show Art of Can. Wow, OK! So I booked two more tickets on Amtrak and we shot up to Millennium Park for the show where Red Bull Corp. had set up a glass gallery in the middle of the park. It was a great reception with many perks and swag. I found it a bit crazy that I was slaving away at a “real” job during the day, sculpting at night, then less than a month later, we were partying it up on a Chicago rooftop until 4:00am. By the way, I got zero votes as Red Bull mislabeled my Twitter vote from #HEDJS to #HIDJS. Instead of letting people vote for my piece it directed them to a Twitter sight for a group called “HI DJ’s.” Oh, well, still a great time!

Next post, I will put up images for the creative types as I know that all of these words can sometimes be a bore. Be sure to check out or  contact me if you are interested in industrial looking exhibit work.