Posts Tagged ‘UW-Madison’

New Show

March 1, 2016

Hello, friends! Last weekend found me taking a relaxing though scheduled drive to the Saint Louis Metro area to deliver new artwork. The pieces are a diptych of two 24″ X 36″ “airscapes” done in acrylic on wood. Yes, I do make two-dimensional artwork! I often find that some of my sculptures are too large for some venues and over the last couple of years I have begun finishing some of my sculptural ideas so that they can be displayed as well. The title of the diptych is Air to Air Porn Remix. I sometimes spend too much time on titles but this one is different as the title reflects the history of the piece. In Graduate School at the University of Wisconsin- Madison, it was a house cleaning every year that a graduating class moved out leaving friends with loads of artwork of varying degrees of finish for their friends. One of my good friends, Justin Maes awarded me with some large wood A-A Porn Close-upcanvasses depicting military individuals in compromising positions. They were very beautiful to look at but the content makes them quite hard to display. Justin was always remixing artwork and music, producing his own tracks in Grad School to accompany some of his works. two years ago, with little money to buy food, let alone canvas, I chose to do my own remix. For two pieces, I chose to paint over the figures with various shades of blue depicting the upper atmosphere. I then placed paper planes engaged in a dogfight, launching phallic salt and pepper shakers at each other. I feel that the content of the original piece still comes through but in a very different way. Over time, I will probably do at least one more set of paintings based on Justin’s paint-outs. More paper airplanes could be involved. Not sure, but they keep coming back repeatedly in my work as I dig deeper into the connections between, violence, beauty, war fighting, heroism, toys, and patriotism. So, if you are in the STL area, check out the show at Saint Charles Community College! March 7th – April 8th.

Talk soon,

Sandy

Upcoming Show & New Website

February 13, 2012

Hello, friends! As I write this, one of my friends is working on my new website. After months of arguing with a yahoo holding company in New Zealand about who owned my name, I decided to start fresh with a new website. Same address as the old one but hyphenated. Keep checking this month and you will start to see my work pop up there. sandberg-creative.com

Meanwhile, I am trying to put some final focus on the work for my MFA show in April. A final show seems akin to steering a barge through the lower Mississippi. I am almost to the gulf- just trying to line my vessel up for that last steer-point. From there it is full throttle forward!

Just to keep things exciting, I have been working on a grant project with the Milwaukee Art Museum for the closing of their Tool At Hand show. I have been doing a side project for the last year building tool  boxes for children and working with them to give them skills and confidence. As the project stands currently, the kids attending the  closing will come in to a studio classroom, select parts to build a tool box, hammer it together and stamp information on the blank panels. The boxes all slot together like the old wood dinosaur skeletons. The parts are made from recycled cabinet scraps from Drift Studio in Mt. Horeb, WI. After assembly, they can choose stamps that say “property of _____” , a scaled ruler, nail sizing chart, or a graphic decimal equivalent chart. We are currently working out the details of time and number of kids for the program, but I think this will be great. Since Milwaukee all but stripped Art and the Industrial Arts from their school system, I will feel good that I am introducing a couple of hundred kids to handcraft.

October 18, 2011

As installed on SIUE campus

This is the Enemy!

It has been a busy autumn! The new season began with a trip to Dubuque, Iowa to repair Sinking of the S.S. Innocence. One of the red “kill pegs” was broken off. I had a local manufacturer roll 11-gauge steel to replace all of the pegs. I then welded them directly to the base of the sculpture. It was one of the most beautiful drives I have been on in a while. I suggest to everyone to include the “Driftless” Region of Southwestern Wisconsin if you are ever in the area.
I began the semester trying to locate a specific machine gun to create an art piece that has occupied my brain for some time now. After much stress, I secured the weapon, materials, and a place to fire it. The first part of the series was in the show “Exchange” at the Mosse Humanities building in Madison.
At the Children’s Museum in town, we finally finished the Rockit! exhibit. It is awesomely stellar! Kids are loving it. One can climb in the capsule and just play while ambient music is playing. For older kids, there is a learning curve allowing one to control the beats, melodies and sound effects to create their own songs. It was a long hard year that included two back spasms and one trip to the hospital for a butterfly bandage and a tetanus shot. De-constructing an aluminum airplane and retro-fitting it to accept a new array of electronics and wiring is a head bumping, finger- slicing hair full of drill shavings type of event. It is very nice to see it installed. I would also like to thank my team: Dan Ganch (fabrication), Nadia Niggli (Graphics), The crew from Sony Creative Software, and Matt from NuVibrations for pulling all of the systems together.
On another note, I have been feeling like Richard Serra lately. (not in the famous aspect) There is a group of individuals trying to get a sculpture of mine removed from a park adjacent to their property. The sculpture was formerly installed on the campus at Southern Illinois University- Edwardsville. It was originally funded through a grant from the Gateway Foundation in St. Louis. After its time was up, I contacted my hometown to see if they were interested in it. Blue Mound is a village of 1200 polite Midwesterners that live in an agricultural community. They had recently formed a park district to manage the swim club and the towns two parks. One park contains the following items: Outdoor theater and covered stage, children’s playground, water fountain, pavilion, WWI canon, bathrooms, sidewalks, gates and landscaping. The other park contains: a scattering of trees, and a stream. I proposed that it be placed in the park that had nothing so that people would have something to look at. It is my wish that others would embrace the park and ask the district to move forward with making it a real park. The little “Madison-esque” world that I live in envisions park benches, some winding trails, park benches, a small playground, and a couple of bridges spanning the creek. But there are some problems. Step one, getting a piece of art in the park happened. There was some talk of possibly getting benches and one neighbor told me that they should have a block party at the park. That was the end of the rainbows and unicorns. A couple of residents started filing complaints that the sculpture was ugly, it was reducing the value of their home, and reducing their income as they stared out the window for hours on end deciding how to get the art removed from the park.
Here is what I think the truth is: There are three housing additions adjoining this park. One is a middle class tract on one side of the park. The opposite side has a back addition of very nice homes, with a small front tract of lower rent apartments with one building including Government Subsidized Housing. Due to proximity and a shared road, the Social Class A and C have learned to live with each other. The complaints seem to be coming from the Social Class B side of the park. I believe that they do not want the park developed, because people may actually come use it. I believe that they see the stream as a moat protecting them from “poor” kids getting too close to their property. They claim that it is a flood plain. Yes, and so is the rest of the area. Central Illinois farm country is one of the flattest landscapes in the nation. We know how to properly develop watershed areas now. Since the stream is actually a field run-off waterway, maybe it would be a good time to use a section of this park as an educational experiment that provides good in a variety of ways.
Last week, I was contacted by the Park District asking if I wish for the piece to stay or go. I contacted them sharing my reasons on why art is good, why we develop parks, how that helps children, families, home values, and such for their Monday night meeting. There was also a presentation by one of the board members based on Scientific Research in Virginia showing social and economic benefits of public sculpture.
The leader of the “Remove the Sculpture” organization emailed me today. It was a 9 point, two page email telling me all of the reasons that they hated my sculpture. Which by the way is a twelve foot tall thumbtack painted green that uncomfortably imitates the surrounding trees. They compared it to living next to a livestock farm, alluded to the possibility of erecting something on their property to block the view or maybe even suing to have it removed. The homeowner’s girlfriend told me in shocking detail about the fateful morning that they woke up and saw ART lingering in a city park!
The angry lady told me that we should spend less time making art and educating people in the humanities and more time raising children right and going to church!
AMEN!

Art Updates

October 18, 2011

It has been a busy autumn! The new season began with a trip to Dubuque, Iowa to repair Sinking of the S.S. Innocence. One of the red “kill pegs” was broken off. I had a local manufacturer roll 11-gauge steel to replace all of the pegs. I then welded them directly to the base of the sculpture. It was one of the most beautiful drives I have been on in a while. I suggest to everyone to include the “Driftless” Region of Southwestern Wisconsin if you are ever in the area.
I began the semester trying to locate a specific machine gun to create an art piece that has occupied my brain for some time now. After much stress, I secured the weapon, materials, and a place to fire it. The first part of the series was in the show “Exchange” at the Mosse Humanities building in Madison.
At the Children’s Museum in town, we finally finished the Rockit! exhibit. It is awesomely stellar! Kids are loving it. One can climb in the capsule and just play while ambient music is playing. For older kids, there is a learning curve allowing one to control the beats, melodies and sound effects to create their own songs. It was a long hard year that included two back spasms and one trip to the hospital for a butterfly bandage and a tetanus shot. De-constructing an aluminum airplane and retro-fitting it to accept a new array of electronics and wiring is a head bumping, finger- slicing hair full of drill shavings type of event. It is very nice to see it installed. I would also like to thank my team: Dan Ganch (fabrication), Nadia Niggli (Graphics), The crew from Sony Creative Software, and Matt from NuVibrations for pulling all of the systems together.
On another note, I have been feeling like Richard Serra lately. (not in the famous aspect) There is a group of individuals trying to get a sculpture of mine removed from a park adjacent to their property. The sculpture was formerly installed on the campus at Southern Illinois University- Edwardsville. It was originally funded through a grant from the Gateway Foundation in St. Louis. After its time was up, I contacted my hometown to see if they were interested in it. Blue Mound is a village of 1200 polite Midwesterners that live in an agricultural community. They had recently formed a park district to manage the swim club and the towns two parks. One park contains the following items: Outdoor theater and covered stage, children’s playground, water fountain, pavilion, WWI canon, bathrooms, sidewalks, gates and landscaping. The other park contains: a scattering of trees, and a stream. I proposed that it be placed in the park that had nothing so that people would have something to look at. It is my wish that others would embrace the park and ask the district to move forward with making it a real park. The little “Madison-esque” world that I live in envisions park benches, some winding trails, park benches, a small playground, and a couple of bridges spanning the creek. But there are some problems. Step one, getting a piece of art in the park happened. There was some talk of possibly getting benches and one neighbor told me that they should have a block party at the park. That was the end of the rainbows and unicorns. A couple of residents started filing complaints that the sculpture was ugly, it was reducing the value of their home, and reducing their income as they stared out the window for hours on end deciding how to get the art removed from the park.
Here is what I think the truth is: There are three housing additions adjoining this park. One is a middle class tract on one side of the park. The opposite side has a back addition of very nice homes, with a small front tract of lower rent apartments with one building including Government Subsidized Housing. Due to proximity and a shared road, the Social Class A and C have learned to live with each other. The complaints seem to be coming from the Social Class B side of the park. I believe that they do not want the park developed, because people may actually come use it. I believe that they see the stream as a moat protecting them from “poor” kids getting too close to their property. They claim that it is a flood plain. Yes, and so is the rest of the area. Central Illinois farm country is one of the flattest landscapes in the nation. We know how to properly develop watershed areas now. Since the stream is actually a field run-off waterway, maybe it would be a good time to use a section of this park as an educational experiment that provides good in a variety of ways.
Last week, I was contacted by the Park District asking if I wish for the piece to stay or go. I contacted them sharing my reasons on why art is good, why we develop parks, how that helps children, families, home values, and such for their Monday night meeting. There was also a presentation by one of the board members based on Scientific Research in Virginia showing social and economic benefits of public sculpture.
The leader of the “Remove the Sculpture” organization emailed me today. It was a 9 point, two page email telling me all of the reasons that they hated my sculpture. Which by the way is a twelve foot tall thumbtack painted green that uncomfortably imitates the surrounding trees. They compared it to living next to a livestock farm, alluded to the possibility of erecting something on their property to block the view or maybe even suing to have it removed. The homeowner’s girlfriend told me in shocking detail about the fateful morning that they woke up and saw ART lingering in a city park!
The angry lady told me that we should spend less time making art and educating people in the humanities and more time raising children right and going to church!
AMEN!

The Countdown…

April 13, 2011

Hello, all!

Wisconsin politics are in the courts now and I have been working on the sculptural installation for my M.A. Show. It will be on April 30, in front of the Art Lofts on 111 N. Frances St. in Madison, WI. I was just getting ready to change venues and order cards, when I finally got approval to shut down the street that night. My cards are coming this week. At least it will be fresh in everyone’s memory. I worked with my fellow artists, Dale Kaminski, and Andrew Sawler on my imagery. I wanted to get the context just right. We chose an image of a 9=year old on a flight line near some jet fuel tanks. Some details were ‘shopped out and others enhanced. We paid close attention to the position of his eyes, and the position of the text. I will just post it. Feel free to critique my postcard. Even Better, come critique my show! It begins at 8:00 pm.

The Myth of Patriotism

I had bounced between a couple of wordier title versions but it began to sound like a doctoral thesis. Leaving “The Myth of Patriotism” is short, effective, and sacrilegious. I want to open more dialogue about patriotism and nationalism. I believe that both are tools for manipulation and power. I often recall the thought that one group’s terrorists, are another group’s freedom fighters. Only with a true discussion can we strip away  layers of the programming that family, friends, community, government and culture as a whole have been applying from the time we were all children. Many of my friends in the military, as well as many family members, would not agree with this but I enjoy a friendly discussion! Logically, nationalism/patriotism does not work out as a productive “ism” in culture. I will leave that alone for now as it is time to go teach then get back in the studio and finish up the mounting system for my feature piece of the up-coming installation.  Peace!

To Mother Earth

December 23, 2010

So, the end of another semester came. I took a couple of days off to get my mind right before submitting grades. Sometimes you have to separate yourself from the emotional connections to be utterly fair. In my time off, I began working with some artist neighbors of mine to build an Ice Bar. This is great back breaking work for anyone looking to unwind at the end of a semester in the snow belt. We began with a simple Art Deco’ish design in their front yard. The other “forts” that I have built for art pieces are usually well planned and thought out- or at least planned to develop in a certain way. This one was was drafted on the back of a pizza box. Ok, so you think we may have had too many drinks and come up with this. You would be correct on that assumption, but probably not on the next. We followed through and received help from a couple of other friends in the last two days. The fort is now, five feet tall (we are building the ceilings at 6ft), we began casting the windows in ice to install over the holiday, the vintage Preway fireplace is installed, the roofs are ready and last, but not least, the bar is installed. After returning from a Winter Solstice celebration, I felt the need to celebrate, I asked my neighbors to join me, and they suggested that we finish the bar first. So, after 2 more hours of back-breaking labor and 11 more ice blocks, we were polishing the top and popped open a bottle of cab sav to celebrate the solstice just as Mother Earth would intend. Erick documented, and I will get some photos up soon. Tomorrow, we will finish the two top courses on the rear of the fort and install the roofs, (reclaimed box-springs) Erick is installing a thermometer to gauge how warm we can keep it without melting it down. We are currently looking for an animal hide for the door. (please do not kill an animal just for this, there are plenty of hides floating around already). Our next step is to install a strand of holiday lights through bottles inserted in the back wall for some mood lighting. My neighbor, Erica, claims that we should build a snowball trebuchet just in case any of our other neighbors become jealous, or the city attempts to raise their taxes.

As far as my other work, I finished the semester up with a half-dozen new pieces. I am only excited about two of them. I will revisit the large scale toy planes as well as more custom tool boxes. The new year will find me working with my friend, Dale Kaminski on a new projection piece that I am really excited about. Enjoy your holiday, whatever that may be and your new year!

Sandy

December 11, 2010

Been busy this week getting ready for the Graphic Attack show at the 7th Floor Gallery here in Madison, WI. It is great that I am finishing up teaching. Work has shifted into high gear for my last run at the semester. The Graphic Attack show is going to be fun. The reception is Thursday, the 16th 7p-9p. Student, Lucy Jost and myself, Co-curated it with assistance from our Urban Graphics instructor, Erin O’conner. She developed and secured funding for this new class. This weekend, I will be stenciling a Stormtrooper and a Rockem- Sockem Robot. Master Chief will also be included in the show. There will be a game of bags going on all night on Gabe Meija’s East/West rapper bag boxes. (Step next door as Gabe has a show in the East side of the Gallery the same night. There will also be a live D.J. and snacks. See you there!

Below is a paper that I just turned in for my Makers class. It is my solution to the world.

Makers Craft Project.

J.E. Sandberg

 

My childhood was a gifted one. Not by money or status, but was gifted by having a loving, hardworking do-it-yourself family. I spent my childhood days at my grandparent’s house five blocks from my own. Summer days were spent learning gardening, canning, painting, cooking, cross-stitching, crocheting, landscaping, working on automobiles and working in my grandfather’s wood shop. Little did I know that this early experience wood later inform my whole life. One of my earliest memories is my grandpa building me my own toolbox. It contained a small hammer, two screwdrivers, a fold out tape measure and a hand plane.

For the Makers Project, it was a challenge to create an art piece from theoretical conception to the object as opposed from choosing sketches and altering them contextually to create a piece. It turned out being very rewarding as it provided an opportunity to use life experiences and readings that I have been consuming as a map for the direction of my thoughts as a craft-based piece is conceived.

Foremost in my thoughts was the fact that everyone I was reading talked about using your hands to make quality items. Growing up, I spent most of my time my grandfather’s woodshop. He was a master craftsman in a variety of areas and taught me more than any other figure in my life. He taught me to make what the family needed from scrap or raw materials.

The last few years have raised concerns with me regarding the economy, the environment, and war. It would seem difficult to relate these had I not joined in Robert M. Pursig’s pain of trying to understand ultimate reasons for modern truths. His reason (which I do not dispute) was quality. The lack of quality in the modern world is a result of modern spending habits and inability to refuse lesser quality items in vain hopes to improve their social status. I take this line of thought farther by saying that all three derive from individual greed. This is not to be confused with corporate greed, the outlandish umbrella that protects everyone from overspending. [debatable] It is my belief that there is a personal greed that is predominately justifiable by it’s practitioners. Many say they “want the best for their children.” This is dangerous as it only promotes the abusive system by allowing corporations to provide lesser quality items from manufacturers that are not always produced under fair working environments.

Many people (specifically Americans) abuse the environment through personal greed as well.  Disposable diapers, private trips to school or events, plastic school supplies, and high poly- school clothes are all examples. Parents and individuals will justify their purchases as improving their family situations involving time and money. Wal-mart has focused on this rationalization in the last year with the slogan “save money, live better.” The public buys into the cost cutting more and more each year. On the outside, it appears that it has been a slow process for both purchasing and materials. In reality, labor has been outsourced to countries with less than honorable employment practices at an astounding rate. I recall an article in Business Weekly in 2002 espousing the need for a Chinese trading team for every company to speed up trade agreements and cash in on the cheap “manufacturing costs.”

How does the military fit in? We are a nation created on conquest. We are the smart Western civilization that earned every freedom that we have the hard way. No nation can tell us how to defend our inherent rights. We have the right to cheap stuff, we have the right to cheap oil, we have the rights to the best gemstones in the world, and we have the rights to precious metals. Our military will defend that. This is more complicated than I will fully explore in this paper. Previously, there were two reasons to attack a nation: resources or space. Since World War II, we have included the military-industrial complex.  This is a very interesting situation as people work jobs building military-specification items of the highest quality to earn a pay check to purchase items of the least amount of quality to save money or purchase more cheap goods.

How do we solve this situation? I look to Matthew Crawford (shop class as soulcraft) and the renegade metalsmith, Gabriel Craig for possible answers. Crawford states: “Since the standards of craftsmanship issue from the logic of things rather than the art of persuasion, practiced submission to them perhaps gives the craftsman some psychic ground to stand on against fantastic hopes aroused by demagogues, whether commercial or political. Plato makes a distinction between technical skill and rhetoric on the grounds that rhetoric “has no account to give of the real nature of things, and so cannot tell the cause of any of them”. Our society has become so involved with being able to purchase instant gratification, instead of working with their hands to create, that we have shipped most honorable trades out of the country to the lowest bidder. We are just now realizing that there are no jobs left. Politicians keep promising that they are going to bring jobs back. That is exactly what the people want: jobs to just come back. What the average citizen does not want is to have to adjust their lifestyle via cutbacks or elbow grease to get there.  We should look back to some of the writings of William Morris and read it with the luxury of being in the 21st Century. We should find the parts where he begins to justify labor changes and we should look as a whole to see if changes made to an industry will have an adverse effect in the long run. Or, it may be that as a post-contemporary or alt-modern world that we may have to set limits as to what is an acceptable practice in business.

Finished Tool Box

The luxury of speaking to masses of people is one that I do not have. What I can do is teach younger people that there are much honorable ways to get through life.  I will teach them to work with their hands. If you work with your hands, you contemplate labor and craft- you earn a deeper understanding of how things are made and how they affect the world.  David Nash responded in an interview with Sculpture Magazine responding to his use of simple objects and natural materials in his work. “Of course, we miss a lot now, because there’s so much on screen. It makes everything seem the same-everything’s virtual. There isn’t any “body learning” anymore, an it’s terrible for children because they should be playing with objects.” My proposal is to build toolboxes for kids.  I will build a prototype toolbox, of a classic and practical design from hardwood. It will be a children’s sized toolbox built to military specifications. It will be filled with basic tools and I will show kids how to use each one. Providing the kid is interested, I will give them the toolbox and ask them to use their hands and skills to make the world better.

Next Time, I will provide some more images of my work and less writing! I would also like to give a very special “Hello” To Fisher and Haley Sandberg! Love ya’s!

Sandy

Recent Artwork

November 18, 2010

Hello friends,

Sorry I have not blogged in a while. I have been very busy working on my M.A. show. Anyway, If you have not heard, there is a small dispute going on in Wisconsin. The Governor has created a false panic concerning our budget. It is actually an attempt to stick it to the working class. If you are unsure, look up the Wisconsin State Debt on the internet and divide it by the population of Wisconsin and you will find out that if each person sent a check for $1237.oo that we would be out of debt. ( not to count the millions that Walker gave in takes breaks to corporations at the beginning of February). Anyway, in an effort to protest both the Governor’s bill and the lack of creative signs, three of my fellow art students helped build this protest sign. Wisculpture Grads, Sam Isham-Shopfh, and Hongtao Zhou helped frame it up, and metalsmith Erica Meijer helped me finish it and march tonight. Hopefully we will have it out tomorrow when the Tea-Party shows up. The cardboard was provided by Willy Street Coop, and Ace Hardware on Williamson. Thanks to all who helped and to all who have been supporting us and the Badger State.

Hello friends,

Many days, I ask myself “where did all of my time go?” I sometimes search around for the answer over and over until, I decide to get images taken of my work. The photographer sits down with me and asks, “What all do we have to shoot?” My answer always begins by telling them that I don’t have much at all since I have been too busy to make art. I then begin to list all projects personal, private, commercial, institutional… then it comes to me: Fuck! that is where all of my time went.

This summer I was fortunate enough to work at the Madison Children’s Museum. The old Museum on State Street had closed while the new larger building was being remade into a world-class children’s museum on Hamilton St. As an exhibit worker, I got to work at the offsite shop on Washington Square. It was a beautiful shop with all glass windows facing the Yahara River where the Wisconsin Southern Railroad crosses onto the Isthmus. As the staff increased (as well as the size of the projects) We expanded to an adjacent space in the same building that could house its own metalshop while building three large exhibits simultaneously.

It is a great job when they hire you and say they are looking to buy an airplane for you to tear apart and build exhibits out of. I began by building small random items that would be used as counter weights for the high flying dairy between the first and third floors. It was kind of a shake down to get me adjusted and gauge my skills. I then began working on a variety of projects that required child-proofing, special anchoring systems etc. until we got the call… Someone located a slightly wrecked Beechcraft trainer that came with extra parts for a Cessna 152. I found my dream job! I felt like I should have been paying them!  We knew the first project. We had met with an architect and the exhibit director and knew that we had to create a learning station from part of the fuselage. It would be called Tinkerer’s Workshop and children would use it to experiment with simple projects that could be taught in a fast paced public setting.  That is all for today. I will provide more images later with exhibits that I helped with. Nothing is actually mine. Almost every project was a collaboration as the Museum hired or contracted over 100 of the best Makers in the area. It was an amazingly talented group to work with and we truly believe that we could have built anything that could be dreamed with our staff of artists and craftspeople. Have a great day! enjoy the winter. My new website should be running as I am finishing this semester. I changed to Adobe and have to learn HTML now. PEACE!

Goliaths and Ghosts

March 5, 2010

This week I will investigate a vague idea of site based on the question that I posed for the discussion Tuesday. My question was regarding the idea of how cultural sites get out of hand to the point that they are a bastardized destination. I believe this may happen for reasons due to capitalism and opportunity.
Capitalism is easy. Joe and Nelda collect gas pumps. They have the sickness of a collectors addiction and keep purchasing more and more vintage gas pumps. To justify their condition, they attach cultural value to their motivations and claim they are preserving history. After erecting a pole barn to store their collection, they begin letting people in. Soon, they call it a museum. It begins with a donation box while they wet their feet. Soon, their son comes to visit after finishing his business degree and decides to do some marketing. They make pamphlets, advertise the “world’s largest collection of vintage gas pumps,” add phrases like “a stroll down memory lane” and open a gift shop. Soon they are providing for antique car shows, writing press releases for everyone from the “local” section of the newspaper to the travel channel.
Some sites make it, some don’t. In the extreme, you have places like Las Vegas that began with nothing and somehow turned it into a top destination where people come to pour their money into the system. I am sure there are complete dissertations written just on the Vegas model. I firmly believe that Joe and Nelda want their Vegas as well. If people will keep coming and giving someone money for visiting their site, most people will keep accepting the income. Not every site has the choice. Sites that grow exponentially are reliant on factors of infrastructure . There are, of course, places in contemporary times that actually make an attempt to manage tourism, but if given the option, I believe that most people manage tourism as a response to the requirements and wishes of the patrons spending money as opposed to a proactive system.
I will be documenting support for this theory next month during me and Katie’s trip to Los Angeles via Route 66. Previous knowledge shows that this will be a prime area to study the opportunity side of sites as the route is no longer in existence as one continual road. Some parts of the route have been totally dislocated from the greater infrastructure and some have been replaced by newer routes that funneled traffic and allowed those areas to survive and grow. I will provide Collinsville, IL as a sample of the latter. As Route 66 was being decommissioned, the Interstate system constructed the all new I-70 across the south edge of town. This luck of fate allowed the small mainstreet community a chance to catch all of the traffic funneling into and out of the St. Louis metropolitan area. Many of the old “sites” somehow survived such as the Annual Ketchup Fest (which takes place under the world’s largest ketchup bottle) and the Horseradish festival which draws a huge crowd in the Metro East area as Collinsville is the horseradish capital of the world.
I am familiar with approximately 150 miles of the former US 66 and already have hundreds of examples where people have attempted, some more successful than others, to create destinations. Looking at the many US 66 travel guides, there is no doubt that we will find hundreds of other sites that either grew to more than they deserve [subjective opinion of the author] or withered to a ghost of a side show. Actually, the focus of our collaborative piece is the idea of seeking out the ghosts of US 66. We want to find the places that were not as lucky as Collinsville, St. Louis, Tulsa, Oklahoma City, Amarillo, Albuquerque, Flagstaff, Pasadena, Hollywood, and Santa Monica.
Please share any comments. Always ready to hear your thoughts.
Thanks for listening!

-Sandy